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Tom Scott Answers Content Creator Questions | Tech Support | WIRED

Media & Communication05 Jun 202610 min summaryFrom WIRED
Tom Scott Answers Content Creator Questions | Tech Support | WIRED
WIRED
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Foundations of Content Creation

  • To improve as a content creator, making stuff and consistently producing content is key, as every project is a new chance to grow and potentially go viral, and steadily building skills over time is more important than immediately trying to create viral content 10s.
  • Upgrading gear, particularly microphones, is worth it, as bad audio can be difficult for viewers and immediately turn them away, and clear audio is vital, with the simplest and cheapest way to improve audio being to get the microphone closer to the face 4m41s.
  • Thumbnails and packaging of videos matter significantly, with 100% agreement that they are important, but it is also important to consider the audience that a thumbnail will attract and ensure it is not misleading, as a misleading thumbnail can attract the wrong audience and potentially anger them 8m30s.
  • YouTube's AI features can generate new thumbnails for creators, but it is up to the creator to decide whether to use them, and consider whether they accurately represent the content and will attract the desired audience, with some creators, like Tom Scott, preferring to use real and honest thumbnails 11m30s.
  • The goal of a content creator should be to steadily grow and build up their skills over time, making good content and eventually having a viral hit, rather than trying to immediately go viral and exit the workforce, as this approach is more likely to lead to long-term success and a loyal audience 2m6s.

Audio and Visual Quality

  • Upgrading gear, particularly microphones, is worth it, as bad audio can be difficult for viewers and immediately turn them away, and clear audio is vital, with the simplest and cheapest way to improve audio being to get the microphone closer to the face 4m41s.
  • Thumbnails and packaging of videos matter significantly, with 100% agreement that they are important, but it is also important to consider the audience that a thumbnail will attract and ensure it is not misleading, as a misleading thumbnail can attract the wrong audience and potentially anger them 8m30s.
  • YouTube's AI features can generate new thumbnails for creators, but it is up to the creator to decide whether to use them, and consider whether they accurately represent the content and will attract the desired audience, with some creators, like Tom Scott, preferring to use real and honest thumbnails 11m30s.
  • The goal of a content creator should be to steadily grow and build up their skills over time, making good content and eventually having a viral hit, rather than trying to immediately go viral and exit the workforce, as this approach is more likely to lead to long-term success and a loyal audience 2m6s.
  • Having subtitles on videos is also important, as a significant portion of viewers, around 30%, watch with subtitles, and this can help to increase engagement and make content more accessible 5m50s.
  • When upgrading gear, it is not necessary to buy the most expensive or fancy equipment, but rather to focus on making incremental improvements, such as getting a better microphone, to improve the overall quality of the content 6m20s.
  • Thumbnails are crucial for a video, but they must match the target audience, and constantly generating new titles and thumbnails for YouTube's automatic A/B testing can be a significant amount of work 10s.

Content Strategy and Planning

  • Planning content in advance can vary for each creator, with some preferring to lock it down and others being more flexible, and having a buffer can help avoid burnout, as seen in the experience of recording 41 videos in advance for a new series 2m6s.
  • A good traffic source differs for each creator, but generally, a mix of hub, hero, and help content is recommended, with hub being regular episodic content, hero being big splashy content that goes viral, and help being content that people search for 4m42s.
  • The first 10 to 15 seconds of a video are very important, not for the algorithm, but for the audience, as they will judge the video based on the title, thumbnail, and initial seconds, and YouTube's goal is to be a transparent layer that recommends content the audience wants to watch 8m15s.
  • YouTube's advice for content creators is to have a mix of content types, including hub, hero, and help, to attract and retain a diverse audience, and to focus on creating content that resonates with the target audience 6m30s.
  • Having a buffer of pre-recorded content can help creators avoid burnout and allow for more flexibility in their content schedule, but it can also limit the ability to respond to current events or changes in the audience's interests 5m40s.
  • A realistic amount of time to determine if a video will be successful varies by platform, but for YouTube, it's usually known within a couple of hours, and if it's not taking off, re-packaging the content by changing the title, thumbnail, or trying again may be necessary 10s.

Intro and Title Best Practices

  • The decision to include an intro in a YouTube video depends on the type of intro, as a good introduction can set up expectations and use powerful editing techniques, but a bad intro, such as one with 10 seconds of 3D animation and dubstep, can be a waste of time 2m6s.
  • Using clickbait in titles and thumbnails is not worth it if it involves lying, but using "curiosity bait" as described by Veritasium can be effective, as long as it's honest and packages the content in a way that fits the medium 4m42s.

Content Quality and Audience Engagement

  • The idea that the more content put out, the better for audience growth and retention, is true only if the content is good and cared about, as putting out low-quality content can be detrimental, and finding the intersection of what you love, are good at, what the world needs, and what you can be paid for, is key to success 6m15s.
  • Changing a YouTube niche without losing the old audience is unlikely, as the bad news is that it's difficult to make such a change without alienating the existing audience 10m0s.
  • When creating new content, it is normal to experience a decrease in viewing numbers, but this can be offset by the fact that people are watching for longer periods and providing positive feedback, and this phenomenon is acceptable as long as the content is a combination of novelty and familiarity 10s.

Changing Niches and Audience Retention

  • Changing niches or formats can result in losing some of the old audience, but instead of focusing on this loss, it is better to think of it as starting from scratch with the bonus of having existing subscribers and content, and subscribers are not a reliable metric as they only indicate that someone clicked a button at one time and may not be interested anymore 42s.
  • Brand deals can be a significant source of income for content creators, with YouTube brand deals typically offering about 10 times more than the platform's ad revenue, but it is essential to be mindful of the types of brand deals that are accepted and to draw a personal line on what is acceptable and what is not, such as refusing deals from gambling companies or those that use loot boxes and gacha mechanics 2m6s.

Collaboration and Audience Growth

  • To improve as a content creator, the most important thing is to make stuff, as this is the best way to improve every skill, and worrying too much about details can be counterproductive, and simply creating content will help develop all the necessary skills 4m30s.
  • To push content out to the audience, collaborating with other people is a powerful strategy, even if it's not in person or on video, and making connections with others can be more effective than repackaging content or trying different titles, but it's also important not to spam people or post content wildly, as this can be off-putting 6m40s.
  • Creating content by forcing collaborations, such as making videos about popular figures like Mr. Beast, may attract their fans but will not guarantee a lasting audience, as viewers may only be interested in the person being featured, not the creator's content 10s.

Finding a Niche and Avoiding Burnout

  • To find a niche online, it is suggested to try many different things and see what works, as this approach allows creators to discover their passions and what resonates with their audience, much like a musician trying various instruments to find the one that suits them 2m6s.
  • Dealing with burnout is a challenging issue, and while there is no straightforward solution, creators may need to reassess their goals and consider taking a break or trying something new if they are just starting out, or find ways to make their content creation more sustainable if it is their job 4m42s.
  • Being a creator often requires being a people pleaser to some extent, as audience engagement is crucial, but it is possible to maintain a balance by setting boundaries and focusing on creating content that appeals to viewers without becoming overly attached to them, with the goal of having viewers who appreciate the content rather than just the creator 8m15s.

Adapting to Changing Attention Spans

  • The issue of shortening attention spans is complex, and it is possible that people are simply becoming more accustomed to processing information quickly, with many individuals, such as the creator, watching content at faster speeds, such as two or three times the normal speed, to keep up with the vast amount of data available 12m30s.
  • The current information landscape is constantly evolving, with people adapting to consume more information, and it's unclear whether this is a positive or negative development 10s.

Evolution of Content Creation and Personal Journey

  • Content creation has evolved significantly over time, with the creator having started by writing HTML for a Geio Cities page and eventually finding success after throwing many ideas at the internet, with only a dozen videos from a 10-year series being sources of pride 2m6s.
  • Audiences will provide feedback on content through comments, messages, and emails, but it's up to the creator to decide whether to pay attention to this feedback and adjust their content accordingly 4m42s.

Sustainability and Realism in Content Creation

  • Being a full-time content creator can be over-glamorized and financially reckless, especially for those with limited followers or financial stability, and it's essential to have a secure jumping-off point, such as savings, before pursuing content creation full-time 8m15s.
  • The amount of time spent on content creation can be excessive, and it's crucial to maintain a work-life balance, although this can be challenging when passionate about the work 12m10s.

Long-Term Career Outlook for Content Creators

  • The fate of influencers and content creators who are no longer at their peak or have become less relevant is uncertain, with the question being asked in a potentially cynical tone, implying a sense of skepticism towards the influencer industry 15m20s.
  • The career trajectory of a content creator is similar to that of a TV presenter or a band, where they may have a few successful projects, but then their popularity may wane, leaving them with some residual royalties, but likely not much else, and they may need to find a new job 0s.
  • Michael Underwood, a former kids TV presenter, is an example of someone who has transitioned to a new career, becoming a teacher, and still engages with his old audience through platforms like TikTok, where he answers questions and shares his experiences 42s.
  • It's essential for content creators to view their career as a series of chapters, rather than focusing on the loss of relevance, and to appreciate the positive memories and experiences they had during their peak, as well as the lingering benefits, such as occasional recognition and appreciation from their audience 2m6s.
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